Women Modernists and Fascism

Fiction & Literature, Literary Theory & Criticism, British, Nonfiction, Social & Cultural Studies, Political Science
Cover of the book Women Modernists and Fascism by Annalisa Zox-Weaver, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Annalisa Zox-Weaver ISBN: 9781139179843
Publisher: Cambridge University Press Publication: September 8, 2011
Imprint: Cambridge University Press Language: English
Author: Annalisa Zox-Weaver
ISBN: 9781139179843
Publisher: Cambridge University Press
Publication: September 8, 2011
Imprint: Cambridge University Press
Language: English

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Modernism both influenced and was fascinated by the rhetorical and aesthetic manifestations of fascism. In examining how four artists and writers represented fascist leaders, Annalisa Zox-Weaver aims to achieve a more complex understanding of the modernist political imagination. She examines how photographer Lee Miller, filmmaker Leni Riefenstahl, writer Gertrude Stein and journalist Janet Flanner interpret, dramatize and exploit Hitler, Göring and Pétain. Within their own artistic medium, each of these modernists explore confrontations between private and public identity, and historical narrative and the construction of myth. This study makes use of extensive archival material, such as letters, photographs, journals, unpublished manuscripts and ephemera, and includes ten illustrations. This interdisciplinary perspective opens up wider discussions of the relationship between artists and dictators, modernism and fascism, and authority and representation.

More books from Cambridge University Press

Cover of the book Polarons by Annalisa Zox-Weaver
Cover of the book New Handbook of Mathematical Psychology: Volume 1, Foundations and Methodology by Annalisa Zox-Weaver
Cover of the book The Haskell School of Music by Annalisa Zox-Weaver
Cover of the book Ultra-wideband RF System Engineering by Annalisa Zox-Weaver
Cover of the book The Politics of Fossil Fuel Subsidies and Their Reform by Annalisa Zox-Weaver
Cover of the book Youth Culture in China by Annalisa Zox-Weaver
Cover of the book Daily Life in Late Antiquity by Annalisa Zox-Weaver
Cover of the book Abraham or Aristotle? First Millennium Empires and Exegetical Traditions by Annalisa Zox-Weaver
Cover of the book Britten's Unquiet Pasts by Annalisa Zox-Weaver
Cover of the book Equity and Administration by Annalisa Zox-Weaver
Cover of the book Hesiod and Classical Greek Poetry by Annalisa Zox-Weaver
Cover of the book Declaring War by Annalisa Zox-Weaver
Cover of the book The Cambridge Companion to Rawls by Annalisa Zox-Weaver
Cover of the book Engaging with Social Work by Annalisa Zox-Weaver
Cover of the book The Search for Reconciliation by Annalisa Zox-Weaver
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy