The Image of Vampires in the TV Series 'The Vampire Diaries'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book The Image of Vampires in the TV Series 'The Vampire Diaries' by Jennifer Vogt, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jennifer Vogt ISBN: 9783656376569
Publisher: GRIN Verlag Publication: February 22, 2013
Imprint: GRIN Verlag Language: English
Author: Jennifer Vogt
ISBN: 9783656376569
Publisher: GRIN Verlag
Publication: February 22, 2013
Imprint: GRIN Verlag
Language: English

Examination Thesis from the year 2012 in the subject American Studies - Miscellaneous, grade: 2,0, Saarland University, course: American Studies - Culture and Applied Geography, language: English, abstract: The vampire is one of the oldest and most powerful archetypes in modern media. Over the course of the last two centuries, the vampire has become an instrument of fiction and its myth has been retold, extended and reinvented through literature, film and television. Over time, stories concerned with vampires have gradually increased in popularity, reaching a climax in contemporary popular culture with the infiltration of the genre of romantic teenage drama. There have been endless representations of vampires in fiction and this precludes a single definition. However, vampires are associated with several long-standing traditional and stereotypical characteristics. Contemporary writers and film-makers have in particular attributed new and sometimes unique characteristics and rules which apply specifically to their own vampires. Vampires have gone through a process of change and their varying images have evolved throughout history and culture. This thesis undertakes an analysis of the image of vampires in contemporary fiction with particular reference to the first three seasons of the TV series The Vampire Diaries. Through an investigation of how the image of vampires has evolved and changed in the course of the 20th century, I will show that the contemporary vampire is not merely the embodiment of demonic evil, but rather a supernatural and complex creature that is closely related to the human species and combines both good and evil characteristics. In the second chapter I will address the development of fictional vampires, focussing mainly on the image of vampires in contemporary popular culture and their differing types and personalities. I will then present background information concerning the plot and main characters of The Vampire Diaries in the third chapter to facilitate the understanding of my subsequent analysis. The fourth chapter constitutes the greater part of my thesis and considers the representation of vampires in the TV series The Vampire Diaries. Various good and evil aspects of vampires will be investigated to build an integral whole of their image in the TV series. I will initially deal with the origins of vampires, followed by their physical and psychological traits, their weaknesses as well as their powers, their interaction with human beings, their integration into society and their relationship with humans and other vampires.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Examination Thesis from the year 2012 in the subject American Studies - Miscellaneous, grade: 2,0, Saarland University, course: American Studies - Culture and Applied Geography, language: English, abstract: The vampire is one of the oldest and most powerful archetypes in modern media. Over the course of the last two centuries, the vampire has become an instrument of fiction and its myth has been retold, extended and reinvented through literature, film and television. Over time, stories concerned with vampires have gradually increased in popularity, reaching a climax in contemporary popular culture with the infiltration of the genre of romantic teenage drama. There have been endless representations of vampires in fiction and this precludes a single definition. However, vampires are associated with several long-standing traditional and stereotypical characteristics. Contemporary writers and film-makers have in particular attributed new and sometimes unique characteristics and rules which apply specifically to their own vampires. Vampires have gone through a process of change and their varying images have evolved throughout history and culture. This thesis undertakes an analysis of the image of vampires in contemporary fiction with particular reference to the first three seasons of the TV series The Vampire Diaries. Through an investigation of how the image of vampires has evolved and changed in the course of the 20th century, I will show that the contemporary vampire is not merely the embodiment of demonic evil, but rather a supernatural and complex creature that is closely related to the human species and combines both good and evil characteristics. In the second chapter I will address the development of fictional vampires, focussing mainly on the image of vampires in contemporary popular culture and their differing types and personalities. I will then present background information concerning the plot and main characters of The Vampire Diaries in the third chapter to facilitate the understanding of my subsequent analysis. The fourth chapter constitutes the greater part of my thesis and considers the representation of vampires in the TV series The Vampire Diaries. Various good and evil aspects of vampires will be investigated to build an integral whole of their image in the TV series. I will initially deal with the origins of vampires, followed by their physical and psychological traits, their weaknesses as well as their powers, their interaction with human beings, their integration into society and their relationship with humans and other vampires.

More books from GRIN Verlag

Cover of the book Verfahren zur Erfassungen der Regulationserfordernisse in der Arbeitstätigkeit (VERA) by Jennifer Vogt
Cover of the book Messung und Prognose des Customer Lifetime Value by Jennifer Vogt
Cover of the book Die Gestaltung der vorweggenommenen Erbfolge bei einem mittelständischen Einzelunternehmen by Jennifer Vogt
Cover of the book Das Baskenland und die ETA. Geschichte, Identität, Unterdrückung und Terror eines Volkes by Jennifer Vogt
Cover of the book Delta Hedging im Überblick by Jennifer Vogt
Cover of the book Lehrermotivation als Schlüssel für eine erfolgreiche Schule by Jennifer Vogt
Cover of the book Der [gläserne] Mensch in sozialen Netzwerken: Eine empirische Studie zum Nutzungsverhalten von Facebook und StudiVZ by Jennifer Vogt
Cover of the book Die aktuelle BFH-Rechtsprechung zur Trennungstheorie bei teilentgeltlichen Übertragungen von Wirtschaftsgütern by Jennifer Vogt
Cover of the book Altruismus - 'zwischen Natur und Kultur' - ein soziobiologischer Ansatz by Jennifer Vogt
Cover of the book Carmen 1 - Catulls Widmungs- und Programmgedicht by Jennifer Vogt
Cover of the book Szenario-Analyse - Eine Einführung by Jennifer Vogt
Cover of the book Das Geschlecht als das Opium des Volkes - die interaktive Konstruktion von Geschlecht by Jennifer Vogt
Cover of the book Erziehungswissenschaft im Kritischen Rationalismus. Warum ist die 'geisteswissenschaftliche Pädagogik' eine 'praktische Pädagogik'? by Jennifer Vogt
Cover of the book Sterbehilfe - Gibt es einen bedeutsam moralischen Unterschied zwischen Tun und Unterlassen? by Jennifer Vogt
Cover of the book Der Einfluss des demographischen Wandels auf das Personalmanagement by Jennifer Vogt
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy