The Eureka Myth

Creators, Innovators, and Everyday Intellectual Property

Nonfiction, Reference & Language, Law, Patent, Trademark, & Copyright, Intellectual Property
Cover of the book The Eureka Myth by Jessica Silbey, Stanford University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jessica Silbey ISBN: 9780804793537
Publisher: Stanford University Press Publication: December 17, 2014
Imprint: Stanford Law Books Language: English
Author: Jessica Silbey
ISBN: 9780804793537
Publisher: Stanford University Press
Publication: December 17, 2014
Imprint: Stanford Law Books
Language: English

Are innovation and creativity helped or hindered by our intellectual property laws? In the two hundred plus years since the Constitution enshrined protections for those who create and innovate, we're still debating the merits of IP laws and whether or not they actually work as intended. Artists, scientists, businesses, and the lawyers who serve them, as well as the Americans who benefit from their creations all still wonder: what facilitates innovation and creativity in our digital age? And what role, if any, do our intellectual property laws play in the growth of innovation and creativity in the United States?

Incentivizing the "progress of science and the useful arts" has been the goal of intellectual property law since our constitutional beginnings. The Eureka Myth cuts through the current debates and goes straight to the source: the artists and innovators themselves. Silbey makes sense of the intersections between intellectual property law and creative and innovative activity by centering on the stories told by artists, scientists, their employers, lawyers and managers, describing how and why they create and innovate and whether or how IP law plays a role in their activities. Their employers, business partners, managers, and lawyers also describe their role in facilitating the creative and innovative work. Silbey's connections and distinctions made between the stories and statutes serve to inform present and future innovative and creative communities.

Breaking new ground in its examination of the U.S. economy and cultural identity, The Eureka Myth draws out new and surprising conclusions about the sometimes misinterpreted relationships between creativity and intellectual property protections.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Are innovation and creativity helped or hindered by our intellectual property laws? In the two hundred plus years since the Constitution enshrined protections for those who create and innovate, we're still debating the merits of IP laws and whether or not they actually work as intended. Artists, scientists, businesses, and the lawyers who serve them, as well as the Americans who benefit from their creations all still wonder: what facilitates innovation and creativity in our digital age? And what role, if any, do our intellectual property laws play in the growth of innovation and creativity in the United States?

Incentivizing the "progress of science and the useful arts" has been the goal of intellectual property law since our constitutional beginnings. The Eureka Myth cuts through the current debates and goes straight to the source: the artists and innovators themselves. Silbey makes sense of the intersections between intellectual property law and creative and innovative activity by centering on the stories told by artists, scientists, their employers, lawyers and managers, describing how and why they create and innovate and whether or how IP law plays a role in their activities. Their employers, business partners, managers, and lawyers also describe their role in facilitating the creative and innovative work. Silbey's connections and distinctions made between the stories and statutes serve to inform present and future innovative and creative communities.

Breaking new ground in its examination of the U.S. economy and cultural identity, The Eureka Myth draws out new and surprising conclusions about the sometimes misinterpreted relationships between creativity and intellectual property protections.

More books from Stanford University Press

Cover of the book The Schooled Society by Jessica Silbey
Cover of the book To Belong in Buenos Aires by Jessica Silbey
Cover of the book Yugoslavia and Its Historians by Jessica Silbey
Cover of the book Mediating the Global by Jessica Silbey
Cover of the book Mother Folly by Jessica Silbey
Cover of the book Inside Nuclear South Asia by Jessica Silbey
Cover of the book Germ Gambits by Jessica Silbey
Cover of the book On Ethics and History by Jessica Silbey
Cover of the book Engaging Resistance by Jessica Silbey
Cover of the book Thinking Its Presence by Jessica Silbey
Cover of the book Simple Habits for Complex Times by Jessica Silbey
Cover of the book Haunting History by Jessica Silbey
Cover of the book A Jewish Voice from Ottoman Salonica by Jessica Silbey
Cover of the book Paradise Redefined by Jessica Silbey
Cover of the book Totalitarianism and Political Religion by Jessica Silbey
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy