The epigram in England, 1590–1640

Nonfiction, History, Modern, Fiction & Literature, Literary Theory & Criticism
Cover of the book The epigram in England, 1590–1640 by James Doelman, Manchester University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: James Doelman ISBN: 9781784998028
Publisher: Manchester University Press Publication: June 17, 2016
Imprint: Manchester University Press Language: English
Author: James Doelman
ISBN: 9781784998028
Publisher: Manchester University Press
Publication: June 17, 2016
Imprint: Manchester University Press
Language: English

While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts. The book explores questions of libel, censorship and patronage associated with the genre, and includes chapters on the sub-genres of the religious epigram, political epigram and mock epitaph. It balances discussion of canonical figures such as Ben Jonson and Sir John Harington with a wide range of lesser known poets, drawing on both manuscript and print sources. In its breadth The epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

While among the most common of Renaissance genres, the epigram has been largely neglected by scholars and critics: James Doelman's book is the first major study on the Renaissance English epigram since 1947. It combines thorough description of the genre's history and conventions with consideration of the rootedness of individual epigrams within specific social, political and religious contexts. The book explores questions of libel, censorship and patronage associated with the genre, and includes chapters on the sub-genres of the religious epigram, political epigram and mock epitaph. It balances discussion of canonical figures such as Ben Jonson and Sir John Harington with a wide range of lesser known poets, drawing on both manuscript and print sources. In its breadth The epigram in England serves as a foundational introduction to the genre for students, and through its detailed case studies it offers rich analysis for advanced scholars.

More books from Manchester University Press

Cover of the book The relic state by James Doelman
Cover of the book Land questions in modern Ireland by James Doelman
Cover of the book Paving the Empire Road by James Doelman
Cover of the book Divine Love by James Doelman
Cover of the book The ‘Malleus Maleficarum‘ and the construction of witchcraft by James Doelman
Cover of the book Imagining women readers, 1789–1820 by James Doelman
Cover of the book Churchyard and cemetery by James Doelman
Cover of the book Samuel Richardson and the theory of tragedy by James Doelman
Cover of the book Sweden and ecological governance by James Doelman
Cover of the book Mixed messages by James Doelman
Cover of the book Apostasy and Jewish identity in High Middle Ages Northern Europe by James Doelman
Cover of the book Ireland and migration in the twenty-first century by James Doelman
Cover of the book French children under the Allied bombs, 1940–45 by James Doelman
Cover of the book Syria and the chemical weapons taboo by James Doelman
Cover of the book The Gothic and death by James Doelman
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy