The Cinema of Béla Tarr

The Circle Closes

Nonfiction, Entertainment, Film, History & Criticism, Performing Arts
Cover of the book The Cinema of Béla Tarr by András Kovács, Columbia University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: András Kovács ISBN: 9780231850377
Publisher: Columbia University Press Publication: May 21, 2013
Imprint: WallFlower Press Language: English
Author: András Kovács
ISBN: 9780231850377
Publisher: Columbia University Press
Publication: May 21, 2013
Imprint: WallFlower Press
Language: English

The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

The Cinema of Béla Tarr is a critical analysis of the work of Hungary's most prominent and internationally best known film director, written by a scholar who has followed Bela Tarr's career through a close personal and professional relationship for more than twenty-five years. András Bálint Kovács traces the development of Tarr's themes, characters, and style, showing that almost all of his major stylistic and narrative innovations were already present in his early films and that through a conscious and meticulous recombination of and experimentation with these elements, Tarr arrived at his unique style. The significance of these films is that, beyond their aesthetic and historical value, they provide the most powerful vision of an entire region and its historical situation. Tarr's films express, in their universalistic language, the shared feelings of millions of Eastern Europeans.

More books from Columbia University Press

Cover of the book A Korean War Captive in Japan, 1597–1600 by András Kovács
Cover of the book Parable and Politics in Early Islamic History by András Kovács
Cover of the book C. T. Hsia on Chinese Literature by András Kovács
Cover of the book The Traveler's Guide to Space by András Kovács
Cover of the book Intimate Violence by András Kovács
Cover of the book Minor Characters Have Their Day by András Kovács
Cover of the book Envisioning The Tale of Genji by András Kovács
Cover of the book Baptists in America by András Kovács
Cover of the book The Politics of Passion by András Kovács
Cover of the book Subverting the Leviathan by András Kovács
Cover of the book Frog in the Well by András Kovács
Cover of the book Cinema by Design by András Kovács
Cover of the book Must We Kill the Thing We Love? by András Kovács
Cover of the book What China and India Once Were by András Kovács
Cover of the book Terrorism and Counterintelligence by András Kovács
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy