The Cambridge Companion to Michael Tippett

Nonfiction, Entertainment, Music, Theory & Criticism, History & Criticism, History
Cover of the book The Cambridge Companion to Michael Tippett by , Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: ISBN: 9781107460874
Publisher: Cambridge University Press Publication: January 17, 2013
Imprint: Cambridge University Press Language: English
Author:
ISBN: 9781107460874
Publisher: Cambridge University Press
Publication: January 17, 2013
Imprint: Cambridge University Press
Language: English

Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century, whose music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars, this Companion provides a wide ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism, tradition, politics, sexuality and creativity that shaped Tippett's music and ideas, engaging with archive materials, relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed, including opera, symphony, string quartet, concerto and piano sonata, to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership, this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century, whose music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars, this Companion provides a wide ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism, tradition, politics, sexuality and creativity that shaped Tippett's music and ideas, engaging with archive materials, relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed, including opera, symphony, string quartet, concerto and piano sonata, to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership, this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer.

More books from Cambridge University Press

Cover of the book Engaging Haydn by
Cover of the book The Cambridge Companion to Pop and Rock by
Cover of the book The Pediatric and Perinatal Autopsy Manual by
Cover of the book Financial Crisis, Corporate Governance, and Bank Capital by
Cover of the book Praxis by
Cover of the book Irredentism in European Politics by
Cover of the book Theology without Metaphysics by
Cover of the book The Climate of Rebellion in the Early Modern Ottoman Empire by
Cover of the book The Cambridge Companion to Isaiah Berlin by
Cover of the book The Politics of Citizenship in Europe by
Cover of the book Anti-Americanism and the Rise of World Opinion by
Cover of the book Relativistic Quantum Physics by
Cover of the book Advances in Statistical Bioinformatics by
Cover of the book The Cambridge Handbook of Social Problems: Volume 1 by
Cover of the book Practical Statistics for Astronomers by
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy