Seduced by the Familiar

Narration and Meaning in Indian Popular Cinema

Nonfiction, Art & Architecture, General Art, Art Technique, Entertainment, Performing Arts, Social & Cultural Studies, Social Science
Cover of the book Seduced by the Familiar by M.K. Raghavendra, OUP India
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: M.K. Raghavendra ISBN: 9780199087983
Publisher: OUP India Publication: December 15, 2014
Imprint: OUP India Language: English
Author: M.K. Raghavendra
ISBN: 9780199087983
Publisher: OUP India
Publication: December 15, 2014
Imprint: OUP India
Language: English

Hindi popular cinema has played a key role as a national cinema because it assisted in the imagining of a unified India by addressing a public across the nation-to-be even before 1947. Examining the diverse elements that constitute the 'popular' in Indian cinema, M.K. Raghavendra undertakes, in this book, a chronological study of films to speculate on narrative conventions, thematic continuities, myths, archetypes, and other formal structures that inform it from its hesitant beginnings up to the 1990s. A significant contribution to film studies, the book makes crucial connections between film motifs and other aspects of culture, exploring the development of film narrative using the social history of India as a continuing frame of reference.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Hindi popular cinema has played a key role as a national cinema because it assisted in the imagining of a unified India by addressing a public across the nation-to-be even before 1947. Examining the diverse elements that constitute the 'popular' in Indian cinema, M.K. Raghavendra undertakes, in this book, a chronological study of films to speculate on narrative conventions, thematic continuities, myths, archetypes, and other formal structures that inform it from its hesitant beginnings up to the 1990s. A significant contribution to film studies, the book makes crucial connections between film motifs and other aspects of culture, exploring the development of film narrative using the social history of India as a continuing frame of reference.

More books from OUP India

Cover of the book The Bhagavadgita in the Nationalist Discourse by M.K. Raghavendra
Cover of the book The Future of Indian Universities by M.K. Raghavendra
Cover of the book Rethinking Public Accounting by M.K. Raghavendra
Cover of the book Islam in the West by M.K. Raghavendra
Cover of the book Public Administration in India by M.K. Raghavendra
Cover of the book The Muslims of India by M.K. Raghavendra
Cover of the book A Social History of Christianity by M.K. Raghavendra
Cover of the book Pilgrimage, Politics, and Pestilence by M.K. Raghavendra
Cover of the book Indian Suffragettes by M.K. Raghavendra
Cover of the book The Rays before Satyajit by M.K. Raghavendra
Cover of the book The Anti-Dumping Agreement and Developing Countries by M.K. Raghavendra
Cover of the book Surrogacy by M.K. Raghavendra
Cover of the book Human Rights in a Posthuman World by M.K. Raghavendra
Cover of the book Collected Plays by M.K. Raghavendra
Cover of the book 1-800-Worlds by M.K. Raghavendra
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy