Screen Hustles, Grifts and Stings

Nonfiction, Entertainment, Drama, American, Fiction & Literature, Crime
Cover of the book Screen Hustles, Grifts and Stings by Amy Sargeant, Palgrave Macmillan
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Amy Sargeant ISBN: 9781137466907
Publisher: Palgrave Macmillan Publication: December 21, 2015
Imprint: Palgrave Pivot Language: English
Author: Amy Sargeant
ISBN: 9781137466907
Publisher: Palgrave Macmillan
Publication: December 21, 2015
Imprint: Palgrave Pivot
Language: English

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Screen Hustles, Grifts and Stings identifies recurrent themes and techniques of the con film, suggests precedents in literature and discusses the perennial appeal of the con man for readers and viewers alike. Core studies span from film (Catch Me If You Can, Paper Moon, House of Games) to television (Hustle), from Noir (The Grifters) to Romantic Comedy (Gambit). Frequently, the execution of the con is only finely distinguishable from the conduct of a legitimate profession and, challengingly, a mark is often shown to be culpable in his or her undoing. The best con films, it is suggested, invite re-watching and reward the viewer accordingly: who is complicit and when? How and where is the con achieved? When is the viewer party to the con? And what, if any, moral is to be drawn?

More books from Palgrave Macmillan

Cover of the book Key Concepts in Creative Writing by Amy Sargeant
Cover of the book Faith and Fascism by Amy Sargeant
Cover of the book The Contemporary Irish Detective Novel by Amy Sargeant
Cover of the book E.M. Forster: The Novels by Amy Sargeant
Cover of the book Financial Econometrics Modeling: Derivatives Pricing, Hedge Funds and Term Structure Models by Amy Sargeant
Cover of the book Global Commodity Governance by Amy Sargeant
Cover of the book The Commonalities of Global Crises by Amy Sargeant
Cover of the book Virgin Mother Goddesses of Antiquity by Amy Sargeant
Cover of the book Cambodia and the West, 1500-2000 by Amy Sargeant
Cover of the book Neuroimaging and Psychosocial Addiction Treatment by Amy Sargeant
Cover of the book A-Z of Substance Misuse and Drug Addiction by Amy Sargeant
Cover of the book Policy Regimes and the Political Economy of Poverty Reduction in Malaysia by Amy Sargeant
Cover of the book Russia's Foreign Policy by Amy Sargeant
Cover of the book Marxism and the Leninist Revolutionary Model by Amy Sargeant
Cover of the book Military Migrants by Amy Sargeant
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy