Pindar and the Emergence of Literature

Fiction & Literature, Literary Theory & Criticism, Ancient & Classical, Nonfiction, History, Ancient History
Cover of the book Pindar and the Emergence of Literature by Boris Maslov, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Boris Maslov ISBN: 9781316389867
Publisher: Cambridge University Press Publication: October 14, 2015
Imprint: Cambridge University Press Language: English
Author: Boris Maslov
ISBN: 9781316389867
Publisher: Cambridge University Press
Publication: October 14, 2015
Imprint: Cambridge University Press
Language: English

Pindar and the Emergence of Literature places Pindar in the context of the evolution of Archaic Greek poetics. While presenting an in-depth introduction to diverse aspects of Pindar's art (authorial metapoetics, imagery, genre hybridization, religion, social context, and dialect), it seeks to establish a middle ground between cultural contextualism and literary history, paying attention both to poetry's historical milieu and its uncanny capacity to endure in time. With that methodological objective, the book marshals a new version of historical poetics, drawing both on theorists usually associated with this approach, such as Alexander Veselovsky, Mikhail Bakhtin, and Olga Freidenberg, and on T. S. Eliot, Hans Blumenberg, Fredric Jameson, and Stephen Greenblatt. The ultimate literary-historical problem posed by Pindar's poetics, which this book sets out to solve, is the transformation of pre-literary structures rooted in folk communal art into elements that still inform our notion of literature.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Pindar and the Emergence of Literature places Pindar in the context of the evolution of Archaic Greek poetics. While presenting an in-depth introduction to diverse aspects of Pindar's art (authorial metapoetics, imagery, genre hybridization, religion, social context, and dialect), it seeks to establish a middle ground between cultural contextualism and literary history, paying attention both to poetry's historical milieu and its uncanny capacity to endure in time. With that methodological objective, the book marshals a new version of historical poetics, drawing both on theorists usually associated with this approach, such as Alexander Veselovsky, Mikhail Bakhtin, and Olga Freidenberg, and on T. S. Eliot, Hans Blumenberg, Fredric Jameson, and Stephen Greenblatt. The ultimate literary-historical problem posed by Pindar's poetics, which this book sets out to solve, is the transformation of pre-literary structures rooted in folk communal art into elements that still inform our notion of literature.

More books from Cambridge University Press

Cover of the book Anthropology, History, and Education by Boris Maslov
Cover of the book Security and the Environment by Boris Maslov
Cover of the book The Theory of Probability by Boris Maslov
Cover of the book Counter-Democracy by Boris Maslov
Cover of the book Logicism and its Philosophical Legacy by Boris Maslov
Cover of the book Children's Rights and the Developing Law by Boris Maslov
Cover of the book Introduction to Many-Body Physics by Boris Maslov
Cover of the book Climate Change, Ethics and Human Security by Boris Maslov
Cover of the book Sea Ice Analysis and Forecasting by Boris Maslov
Cover of the book Practice in Second Language Learning by Boris Maslov
Cover of the book Community Lost by Boris Maslov
Cover of the book Party Ballots, Reform, and the Transformation of America's Electoral System by Boris Maslov
Cover of the book Discourse Analysis and Media Attitudes by Boris Maslov
Cover of the book Language Contact by Boris Maslov
Cover of the book The Backbone of Europe by Boris Maslov
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy