Piety and Responsibility

Patterns of Unity in Karl Rahner, Karl Barth, and Vedanta Desika

Nonfiction, Religion & Spirituality, Theology
Cover of the book Piety and Responsibility by John N. Sheveland, Taylor and Francis
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: John N. Sheveland ISBN: 9781317080916
Publisher: Taylor and Francis Publication: April 22, 2016
Imprint: Routledge Language: English
Author: John N. Sheveland
ISBN: 9781317080916
Publisher: Taylor and Francis
Publication: April 22, 2016
Imprint: Routledge
Language: English

This book analyzes the writings of Karl Rahner, Karl Barth, and Vedanta Desika to disclose how each construes "piety" and "responsibility" as integral to each other. Each theologian expresses a fundamental unity of love of God and love of neighbour. Sheveland explores this unity in ecumenical and interreligious frameworks, showing how these authors privilege theology as practice, enactment, or simply as ethical. He uses the Renaissance genre of musical polyphony as a methodological tool by which to explore the aesthetic quality and the similarity-in-difference of the theological voices being compared. Polyphony's application to comparative theology includes the avoidance of caricature, domestication, and antagonism. In place of these is offered a fundamentally aesthetic paradigm by which to hear theological voices in terms of their unity-in-distinction.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This book analyzes the writings of Karl Rahner, Karl Barth, and Vedanta Desika to disclose how each construes "piety" and "responsibility" as integral to each other. Each theologian expresses a fundamental unity of love of God and love of neighbour. Sheveland explores this unity in ecumenical and interreligious frameworks, showing how these authors privilege theology as practice, enactment, or simply as ethical. He uses the Renaissance genre of musical polyphony as a methodological tool by which to explore the aesthetic quality and the similarity-in-difference of the theological voices being compared. Polyphony's application to comparative theology includes the avoidance of caricature, domestication, and antagonism. In place of these is offered a fundamentally aesthetic paradigm by which to hear theological voices in terms of their unity-in-distinction.

More books from Taylor and Francis

Cover of the book Mentoring in Eighteenth-Century British Literature and Culture by John N. Sheveland
Cover of the book The Structure of Social Stratification in the United States, The, CourseSmart eTextbook by John N. Sheveland
Cover of the book Gender, Power and Knowledge for Development by John N. Sheveland
Cover of the book Psychoanalytic Psychotherapy After Child Abuse by John N. Sheveland
Cover of the book Writing Archaeology by John N. Sheveland
Cover of the book Managed Mental Health Care by John N. Sheveland
Cover of the book Religion and Drama in Early Modern England by John N. Sheveland
Cover of the book The Expanding Eye by John N. Sheveland
Cover of the book Instrumental Teaching in Nineteenth-Century Britain by John N. Sheveland
Cover of the book The Changing Chinese Legal System, 1978-Present by John N. Sheveland
Cover of the book Cultures of Radicalism in Britain and Ireland by John N. Sheveland
Cover of the book Music in Contemporary Indian Film by John N. Sheveland
Cover of the book Teaching Practice for Early Childhood by John N. Sheveland
Cover of the book Fin de Siècle Socialism and Other Essays (Routledge Revivals) by John N. Sheveland
Cover of the book Helping the Helpers Not to Harm by John N. Sheveland
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy