Jewish Identities in German Popular Entertainment, 1890–1933

Nonfiction, History, European General, Social & Cultural Studies, Social Science
Cover of the book Jewish Identities in German Popular Entertainment, 1890–1933 by Marline Otte, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Marline Otte ISBN: 9781139810425
Publisher: Cambridge University Press Publication: July 3, 2006
Imprint: Cambridge University Press Language: English
Author: Marline Otte
ISBN: 9781139810425
Publisher: Cambridge University Press
Publication: July 3, 2006
Imprint: Cambridge University Press
Language: English

At the turn of the century, German popular entertainment was a realm of unprecedented opportunity for Jewish performers. This study explores the terms of their engagement and pays homage to the many ways in which German Jews were instrumental in the birth of an incomparably rich world of popular culture. It traces the kaleidoscope of challenges, opportunities and paradoxes Jewish men and women faced in their interactions with predominantly gentile audiences. Modern Germany was a society riddled by conflicts and contradictory impulses, continuously torn between desires to reject, control and celebrate individual and collective difference. This book demonstrates that an analysis of popular entertainment can be one of the most innovative ways to trace this complicated negotiation throughout a period of great social and political turmoil.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

At the turn of the century, German popular entertainment was a realm of unprecedented opportunity for Jewish performers. This study explores the terms of their engagement and pays homage to the many ways in which German Jews were instrumental in the birth of an incomparably rich world of popular culture. It traces the kaleidoscope of challenges, opportunities and paradoxes Jewish men and women faced in their interactions with predominantly gentile audiences. Modern Germany was a society riddled by conflicts and contradictory impulses, continuously torn between desires to reject, control and celebrate individual and collective difference. This book demonstrates that an analysis of popular entertainment can be one of the most innovative ways to trace this complicated negotiation throughout a period of great social and political turmoil.

More books from Cambridge University Press

Cover of the book In God's Image by Marline Otte
Cover of the book Foundation Myths and Politics in Ancient Ionia by Marline Otte
Cover of the book Programming in Haskell by Marline Otte
Cover of the book Franz Kafka in Context by Marline Otte
Cover of the book Estuarine and Coastal Hydrography and Sediment Transport by Marline Otte
Cover of the book Cognitive Behavioral Therapy for Eating Disorders by Marline Otte
Cover of the book Ferguson: An Essay on the History of Civil Society by Marline Otte
Cover of the book Technocracy and Democracy in Latin America by Marline Otte
Cover of the book Shakespeare's Two Playhouses by Marline Otte
Cover of the book Scholarly Community at the Early University of Paris by Marline Otte
Cover of the book The Cambridge Handbook of Consumer Psychology by Marline Otte
Cover of the book Intellectual Property and the Common Law by Marline Otte
Cover of the book Microclimate and Local Climate by Marline Otte
Cover of the book The Cambridge Companion to Spinoza's Ethics by Marline Otte
Cover of the book Astrology and Cosmology in Early China by Marline Otte
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy