Impact of technology on music education. How digital musicianship could change music-making at schools

Nonfiction, Reference & Language, Education & Teaching, Administration
Cover of the book Impact of technology on music education. How digital musicianship could change music-making at schools by Anonym, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Anonym ISBN: 9783668233102
Publisher: GRIN Verlag Publication: June 3, 2016
Imprint: GRIN Verlag Language: German
Author: Anonym
ISBN: 9783668233102
Publisher: GRIN Verlag
Publication: June 3, 2016
Imprint: GRIN Verlag
Language: German

Studienarbeit aus dem Jahr 2015 im Fachbereich Pädagogik - Schulwesen, Bildungs- u. Schulpolitik, Note: 1,0, , Sprache: Deutsch, Abstract: Adorno claims that the invention of the record disc alienates the nature of music from human ontology. According to him, human life and music can not exist apart from time and space. However, globalization, web 2.0 or social networking has shown, that human social life is increasingly involved in international interaction. Even students' life has changed. The JIM study found out that 92% of German students (between the ages of 14 and 19) own their own smartphone(s). Due to that fact, students are able to share information with friends and consume media wherever and whenever they want. Moreover, students transform everyday life contents (in form of pictures, videos, recordings) into narratives, by publishing and interpreting personal information on social networks. In comparison to that, turntablists transform musical contents (in form of records) into narratives, by interpreting and manipulating existing records. Consequently, media-technology has turned from a reproductive tool into a productive one. The technology-based formation of content became part of every students' social life and determines the way we listen, perform or compose music. Why did it not become part of German music classes? This paper aims to determine the impact of technological progress on music education. The purpose of the study is to outline how music education could adopt music culture, which is increasingly driven by technological change. The following investigation is based on the assumption that new possibilities of technology-related music production can not only be taught theoretically. Consequently it is necessary to probe how technology-based musicianship can be implemented at schools. Unfortunately, the limited access to empirical data (concerning schools' equipment etc.) does not allow to develop concrete teaching concepts. Nevertheless, the developed conceptions may serve as approach that can be shaped according to different education-settings.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Studienarbeit aus dem Jahr 2015 im Fachbereich Pädagogik - Schulwesen, Bildungs- u. Schulpolitik, Note: 1,0, , Sprache: Deutsch, Abstract: Adorno claims that the invention of the record disc alienates the nature of music from human ontology. According to him, human life and music can not exist apart from time and space. However, globalization, web 2.0 or social networking has shown, that human social life is increasingly involved in international interaction. Even students' life has changed. The JIM study found out that 92% of German students (between the ages of 14 and 19) own their own smartphone(s). Due to that fact, students are able to share information with friends and consume media wherever and whenever they want. Moreover, students transform everyday life contents (in form of pictures, videos, recordings) into narratives, by publishing and interpreting personal information on social networks. In comparison to that, turntablists transform musical contents (in form of records) into narratives, by interpreting and manipulating existing records. Consequently, media-technology has turned from a reproductive tool into a productive one. The technology-based formation of content became part of every students' social life and determines the way we listen, perform or compose music. Why did it not become part of German music classes? This paper aims to determine the impact of technological progress on music education. The purpose of the study is to outline how music education could adopt music culture, which is increasingly driven by technological change. The following investigation is based on the assumption that new possibilities of technology-related music production can not only be taught theoretically. Consequently it is necessary to probe how technology-based musicianship can be implemented at schools. Unfortunately, the limited access to empirical data (concerning schools' equipment etc.) does not allow to develop concrete teaching concepts. Nevertheless, the developed conceptions may serve as approach that can be shaped according to different education-settings.

More books from GRIN Verlag

Cover of the book Höflichkeit im geschichtlichen Kontext. Von der Antike bis zur Neuzeit by Anonym
Cover of the book Formen, Ziele und Entwicklungsstufen des 'Benchmarking' by Anonym
Cover of the book Der deutsch-türkische Tourismus im Vergleich. Wie sieht das Reiseverhalten der Bevölkerung beider Länder aus? by Anonym
Cover of the book Qualitätssicherung in der Pflege. Gesetzliche Grundlagen und Medizinischer Dienst der Krankenkassen (MDK) by Anonym
Cover of the book Die räumliche Orientierung by Anonym
Cover of the book Die moralische Ordnung der Gesellschaft nach Durkheim by Anonym
Cover of the book Die OECD-Richtlinien für multinationale Unternehmen im Kontext rechtlicher Anforderungen durch die globalisierte Weltwirtschaft by Anonym
Cover of the book Sportliche Aktivität und Stressregulation. Grundlagen, Wirkmechanismen und Studienbeispiel by Anonym
Cover of the book Don Quijote und Sancho Panza vor dem Hintergrund des Schelmenromans by Anonym
Cover of the book 'Das wars mit der Deutschland AG' - Der Shareholder-Value-Kapitalismus und dessen (soziale) Folgen by Anonym
Cover of the book Untertitel im Film by Anonym
Cover of the book To what extent can portrayals of Norman Bates in 'Psycho' and Buffalo Bill in 'The Silence of the Lambs' be interpreted as reflecting the values of a transphobic society? by Anonym
Cover of the book Grundlagen der Industriebetriebslehre. Eine Zusammenfassung by Anonym
Cover of the book Die Gemeinnützigkeit der Vereine im Steuerrecht by Anonym
Cover of the book Jugendliche Hacker als neue, virtuelle Form von Mutproben by Anonym
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy