Homer's Trojan Theater

Space, Vision, and Memory in the IIiad

Nonfiction, History, Ancient History, Fiction & Literature, Literary Theory & Criticism
Cover of the book Homer's Trojan Theater by Jenny Strauss Clay, Cambridge University Press
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Jenny Strauss Clay ISBN: 9780511853166
Publisher: Cambridge University Press Publication: February 10, 2011
Imprint: Cambridge University Press Language: English
Author: Jenny Strauss Clay
ISBN: 9780511853166
Publisher: Cambridge University Press
Publication: February 10, 2011
Imprint: Cambridge University Press
Language: English

Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Moving away from the verbal and thematic repetitions that have dominated Homeric studies and exploiting the insights of cognitive psychology, this highly innovative and accessible study focuses on the visual poetics of the Iliad as the narrative is envisioned by the poet and rendered visible. It does so through a close analysis of the often-neglected 'Battle Books'. They here emerge as a coherently visualized narrative sequence rather than as a random series of combats, and this approach reveals, for instance, the significance of Sarpedon's attack on the Achaean Wall and Patroclus' path to destruction. In addition, Professor Strauss Clay suggests new ways of approaching ancient narratives: not only with one's ear, but also with one's eyes. She further argues that the loci system of mnemonics, usually attributed to Simonides, is already fully exploited by the Iliad poet to keep track of his cast of characters and to organize his narrative.

More books from Cambridge University Press

Cover of the book Ethnic Patriotism and the East African Revival by Jenny Strauss Clay
Cover of the book Hegel, the End of History, and the Future by Jenny Strauss Clay
Cover of the book The Cambridge History of Science: Volume 1, Ancient Science by Jenny Strauss Clay
Cover of the book John of Brienne by Jenny Strauss Clay
Cover of the book Music Sketches by Jenny Strauss Clay
Cover of the book Violent Conjunctures in Democratic India by Jenny Strauss Clay
Cover of the book Global Connections: Volume 1, To 1500 by Jenny Strauss Clay
Cover of the book Parasites in Ecological Communities by Jenny Strauss Clay
Cover of the book Valerius Flaccus: Argonautica Book III by Jenny Strauss Clay
Cover of the book Mobilising the Diaspora by Jenny Strauss Clay
Cover of the book The Succession to Muhammad by Jenny Strauss Clay
Cover of the book Stahl's Illustrated Violence by Jenny Strauss Clay
Cover of the book Asset Pricing for Dynamic Economies by Jenny Strauss Clay
Cover of the book Liberalization of Trade in Banking Services by Jenny Strauss Clay
Cover of the book Representations of Lie Algebras by Jenny Strauss Clay
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy