Death in Jack London's 'The Law of Life'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Death in Jack London's 'The Law of Life' by Didem Oktay, GRIN Publishing
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Didem Oktay ISBN: 9783638126663
Publisher: GRIN Publishing Publication: May 16, 2002
Imprint: GRIN Publishing Language: English
Author: Didem Oktay
ISBN: 9783638126663
Publisher: GRIN Publishing
Publication: May 16, 2002
Imprint: GRIN Publishing
Language: English

Seminar paper from the year 1995 in the subject American Studies - Literature, grade: good, University of Frankfurt (Main) (Institute for England und America Studies), 3 entries in the bibliography, language: English, abstract: 1. The Author : Jack London (really John Griffith) was born 1876 in San Fransisco and is believed to have been the illegitimate son of William Henry Chaney, an astrologer. Flora Wellman, his mother, married John London soon after Jack's birth. He grew up on the waterfront of Oakland and his schooling was intermittent. Much of his youth was spent on the wrong side of the law. Among other things he was an oyster pirate, and he also spent a month in prison for vagrancy. At the age of 17 he signed on a sailing ship which took him to the Arctic and Japan. Despite his lack of formal education he also became a voracios reader, especially of fiction, as he reported in his autobiographical novel, Martin Eden (1909). In 1896 he joined the gold rush to the Klondike, where he found no gold but gathered ample material for the brutal, vigorous life he portrayed in The Call of the Wild (1903) and White Fang (1906), novels of man and beast struggeling against the overwhelming forces of nature. From Social Darwinism London had absorbed the idea that to survive, man must adapt to irresistible natural forces. Although his writing is often described as an example of literary naturalism, London was most deeply influenced by the seemingly irreconcilable opposites of Nietzsche and Marx. From Nietzsche he borrowed the idea of the super human, evident in its most destructive form in Wolf Larsen, the predatory hero of London's The Sea Wolf (1904). From Marx he took the idea of the need for social reform and of the power of economic determinism, concepts he embodied in his socialistic treatises, The war of the Classes (1905) and The Human Drift (1907), and in his terrifying vision of the coming of totalitarianism, The Iron Heel (1907). From 1900 to 1916 London wrote more than fifty books, earning a million dollars, which he spent quickly and easily as he earned it, in a frantic search for contentment. But London found gratification neither in his writing nor in his personal life, and his last years were marked by struggles with alcoholism and mental disintegration. He died, probably by his own hand, when he was forty.1 [...] ______ 1 All biographical data taken directly from Salzman, Jack (edit.).'The Cambridge Handbook of American Literature'. Cambridge : University Press, 1986. And from McMichael, George (edit.) et al. 'The Anthology of American Literature Volume II.' New York, London : 1980

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 1995 in the subject American Studies - Literature, grade: good, University of Frankfurt (Main) (Institute for England und America Studies), 3 entries in the bibliography, language: English, abstract: 1. The Author : Jack London (really John Griffith) was born 1876 in San Fransisco and is believed to have been the illegitimate son of William Henry Chaney, an astrologer. Flora Wellman, his mother, married John London soon after Jack's birth. He grew up on the waterfront of Oakland and his schooling was intermittent. Much of his youth was spent on the wrong side of the law. Among other things he was an oyster pirate, and he also spent a month in prison for vagrancy. At the age of 17 he signed on a sailing ship which took him to the Arctic and Japan. Despite his lack of formal education he also became a voracios reader, especially of fiction, as he reported in his autobiographical novel, Martin Eden (1909). In 1896 he joined the gold rush to the Klondike, where he found no gold but gathered ample material for the brutal, vigorous life he portrayed in The Call of the Wild (1903) and White Fang (1906), novels of man and beast struggeling against the overwhelming forces of nature. From Social Darwinism London had absorbed the idea that to survive, man must adapt to irresistible natural forces. Although his writing is often described as an example of literary naturalism, London was most deeply influenced by the seemingly irreconcilable opposites of Nietzsche and Marx. From Nietzsche he borrowed the idea of the super human, evident in its most destructive form in Wolf Larsen, the predatory hero of London's The Sea Wolf (1904). From Marx he took the idea of the need for social reform and of the power of economic determinism, concepts he embodied in his socialistic treatises, The war of the Classes (1905) and The Human Drift (1907), and in his terrifying vision of the coming of totalitarianism, The Iron Heel (1907). From 1900 to 1916 London wrote more than fifty books, earning a million dollars, which he spent quickly and easily as he earned it, in a frantic search for contentment. But London found gratification neither in his writing nor in his personal life, and his last years were marked by struggles with alcoholism and mental disintegration. He died, probably by his own hand, when he was forty.1 [...] ______ 1 All biographical data taken directly from Salzman, Jack (edit.).'The Cambridge Handbook of American Literature'. Cambridge : University Press, 1986. And from McMichael, George (edit.) et al. 'The Anthology of American Literature Volume II.' New York, London : 1980

More books from GRIN Publishing

Cover of the book The National Organization for Women and the fight for the Equal Rights Amendment by Didem Oktay
Cover of the book Borrowings from other languages as adoptions of novel cultural influences by Didem Oktay
Cover of the book The status of metaphor in (de)constructing historical master-narratives in the novels of Julian Barnes and Graham Swift and Kazuo Ishiguro by Didem Oktay
Cover of the book Benelux cooperation now and beyond 2010 by Didem Oktay
Cover of the book Political theory - Hobbes and Locke by Didem Oktay
Cover of the book Joseph Ratzinger in Bavaria 1951 - 1959 by Didem Oktay
Cover of the book Computing present values by the AGM by Didem Oktay
Cover of the book The drummer called John Thomas - A report from a prison in The Gambia, West Africa by Didem Oktay
Cover of the book The Glass Ceiling by Didem Oktay
Cover of the book Forms and Functions of Metafiction by Didem Oktay
Cover of the book Comparative Perspectives on Imperialism and Empire in Late Imperial Russia by Didem Oktay
Cover of the book Stylistic Analysis of Robert Frost's 'The Secret Sits' and William Shakespeare's 'Sonnet 18' by Didem Oktay
Cover of the book Financial and Environmental Impacts of ISO 14001 Certification by Didem Oktay
Cover of the book Pinter's 'The birthday party' and Wilde's 'The Importance of Being Earnest' - a comparison by Didem Oktay
Cover of the book Roma Holocaust by Didem Oktay
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy