Crowd Violence in American Modernist Fiction

Lynchings, Riots and the Individual Under Assault

Fiction & Literature, Literary Theory & Criticism
Cover of the book Crowd Violence in American Modernist Fiction by Benjamin S. West, McFarland & Company, Inc., Publishers
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Benjamin S. West ISBN: 9781476602769
Publisher: McFarland & Company, Inc., Publishers Publication: March 21, 2013
Imprint: Language: English
Author: Benjamin S. West
ISBN: 9781476602769
Publisher: McFarland & Company, Inc., Publishers
Publication: March 21, 2013
Imprint:
Language: English

This study explores numerous depictions of crowd violence, literal and figurative, found in American Modernist fiction, and shows the ways crowd violence is used as a literary trope to examine issues of racial, gender, national, and class identity during this period. Modernist writers consistently employ scenes and images of crowd violence to show the ways such violence is used to define and enforce individual identity in American culture. James Weldon Johnson, William Faulkner, Richard Wright, Ernest Hemingway, F. Scott Fitzgerald, and John Steinbeck, for example, depict numerous individuals as victims of crowd violence and other crowd pressures, typically because they have transgressed against normative social standards. Especially important is the way that racially motivated lynching, and the representation of such lynchings in African American literature and culture, becomes a noteworthy focus of canonical Modernist fiction composed by white authors.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

This study explores numerous depictions of crowd violence, literal and figurative, found in American Modernist fiction, and shows the ways crowd violence is used as a literary trope to examine issues of racial, gender, national, and class identity during this period. Modernist writers consistently employ scenes and images of crowd violence to show the ways such violence is used to define and enforce individual identity in American culture. James Weldon Johnson, William Faulkner, Richard Wright, Ernest Hemingway, F. Scott Fitzgerald, and John Steinbeck, for example, depict numerous individuals as victims of crowd violence and other crowd pressures, typically because they have transgressed against normative social standards. Especially important is the way that racially motivated lynching, and the representation of such lynchings in African American literature and culture, becomes a noteworthy focus of canonical Modernist fiction composed by white authors.

More books from McFarland & Company, Inc., Publishers

Cover of the book The 18th New York Infantry in the Civil War by Benjamin S. West
Cover of the book Daniil Kharms and Sherlock Holmes by Benjamin S. West
Cover of the book The Crouching Beast by Benjamin S. West
Cover of the book The Medieval Hero on Screen by Benjamin S. West
Cover of the book Jack Chesbro by Benjamin S. West
Cover of the book Tinclads in the Civil War by Benjamin S. West
Cover of the book Italian Sword and Sandal Films, 1908-1990 by Benjamin S. West
Cover of the book Paul Bartel by Benjamin S. West
Cover of the book Pennsylvanian Voices of the Great War by Benjamin S. West
Cover of the book Single Season Sitcoms of the 1980s by Benjamin S. West
Cover of the book Killer Kane by Benjamin S. West
Cover of the book How Real Is Reality TV? by Benjamin S. West
Cover of the book Found Footage Horror Films by Benjamin S. West
Cover of the book The Making of Women Artists in Victorian England by Benjamin S. West
Cover of the book The Modern Literary Werewolf by Benjamin S. West
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy