Brokerage and Production in the American and French Entertainment Industries

Invisible Hands in Cultural Markets

Business & Finance, Career Planning & Job Hunting, Careers, Nonfiction, Social & Cultural Studies, Social Science, Cultural Studies, Popular Culture
Cover of the book Brokerage and Production in the American and French Entertainment Industries by Denise Bielby, Vincent Cardon, Pacey Foster, Laura Grindstaff, Candace Jones, Tom Kemper, Vicki Mayer, Bill Mechanic, Delphine Naudier, Violaine Roussel, Mathieu Trachman, Harry J. Ufland, Laure de Verdalle, Lexington Books
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Author: Denise Bielby, Vincent Cardon, Pacey Foster, Laura Grindstaff, Candace Jones, Tom Kemper, Vicki Mayer, Bill Mechanic, Delphine Naudier, Violaine Roussel, Mathieu Trachman, Harry J. Ufland, Laure de Verdalle ISBN: 9780739193143
Publisher: Lexington Books Publication: April 9, 2015
Imprint: Lexington Books Language: English
Author: Denise Bielby, Vincent Cardon, Pacey Foster, Laura Grindstaff, Candace Jones, Tom Kemper, Vicki Mayer, Bill Mechanic, Delphine Naudier, Violaine Roussel, Mathieu Trachman, Harry J. Ufland, Laure de Verdalle
ISBN: 9780739193143
Publisher: Lexington Books
Publication: April 9, 2015
Imprint: Lexington Books
Language: English

Invisible Hands in Cultural Markets shines unprecedented light on the activity of talent representatives and production professionals in the American and French film and television industries. Agents and other talent brokers, studio executives, independent producers, casting directors, and film offices—all operate and interact behind the scenes in ways that are consequential to the making of artistic careers and cultural products. But even as these professionals play a crucial role in the entertainment industry, their activity is usually invisible and relatively unknown. This collection of empirically grounded contributions by established and up-and-coming American and French scholars reveals their day-to-day reality. It presents how entertainment industry professionals work and what they experience, demonstrates the ways in which they build relationships with artists and other counterparts, and examines the role they play in shaping the content of film and television projects. Taken together, the chapters put the brokerage of talent and content in comparative perspective. They also challenge taken-for-granted approaches to the study of cultural industries and explore the complex intertwining between commercial and artistic logics.

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Invisible Hands in Cultural Markets shines unprecedented light on the activity of talent representatives and production professionals in the American and French film and television industries. Agents and other talent brokers, studio executives, independent producers, casting directors, and film offices—all operate and interact behind the scenes in ways that are consequential to the making of artistic careers and cultural products. But even as these professionals play a crucial role in the entertainment industry, their activity is usually invisible and relatively unknown. This collection of empirically grounded contributions by established and up-and-coming American and French scholars reveals their day-to-day reality. It presents how entertainment industry professionals work and what they experience, demonstrates the ways in which they build relationships with artists and other counterparts, and examines the role they play in shaping the content of film and television projects. Taken together, the chapters put the brokerage of talent and content in comparative perspective. They also challenge taken-for-granted approaches to the study of cultural industries and explore the complex intertwining between commercial and artistic logics.

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