Black and White Masculinity in Quentin Tarantino's 'Django Unchained'

Nonfiction, Entertainment, Drama, Anthologies
Cover of the book Black and White Masculinity in Quentin Tarantino's 'Django Unchained' by Maximilian Bauer, GRIN Verlag
View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart
Author: Maximilian Bauer ISBN: 9783668108752
Publisher: GRIN Verlag Publication: December 11, 2015
Imprint: GRIN Verlag Language: English
Author: Maximilian Bauer
ISBN: 9783668108752
Publisher: GRIN Verlag
Publication: December 11, 2015
Imprint: GRIN Verlag
Language: English

Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2,3, University of Würzburg (Neuphilologisches Institut), course: Spezialgebiet Amerikanische Literatur 2, language: English, abstract: This paper discusses Quentin Tarantino's 2013 movie 'Django Unchained' under the aspect of black and white masculinity. It looks at stereotypical ideas of masculinity of white slave holders ans black slaves and how they are represented in the movie. Also the main characters are discussed as to their differences in masculinity and how they express it. 'Django Unchained', a movie directed by Quentin Tarantino, was released in December 2012 and won several prices. The film was discussed a lot in public mostly because of the issue of slavery the director is dealing with in the movie and about how he does it. The film had to endure many critical reviews, bad ones and good ones obviously, as many people thought of the depiction of violence as fitting considered the brutality towards slaves in the antebellum south, others thought it to be extremely exaggerated. Also the controversial use of the N-word, as named in literature and interviews, was a major part of the public discussion about ''Django Unchained'. Ultimately it is the viewer himself who has to decide if in his opinion Tarantino uses the right words and pictures to get even with the institution of slavery and the relationship between white farmers and black slaves.

View on Amazon View on AbeBooks View on Kobo View on B.Depository View on eBay View on Walmart

Seminar paper from the year 2015 in the subject American Studies - Miscellaneous, grade: 2,3, University of Würzburg (Neuphilologisches Institut), course: Spezialgebiet Amerikanische Literatur 2, language: English, abstract: This paper discusses Quentin Tarantino's 2013 movie 'Django Unchained' under the aspect of black and white masculinity. It looks at stereotypical ideas of masculinity of white slave holders ans black slaves and how they are represented in the movie. Also the main characters are discussed as to their differences in masculinity and how they express it. 'Django Unchained', a movie directed by Quentin Tarantino, was released in December 2012 and won several prices. The film was discussed a lot in public mostly because of the issue of slavery the director is dealing with in the movie and about how he does it. The film had to endure many critical reviews, bad ones and good ones obviously, as many people thought of the depiction of violence as fitting considered the brutality towards slaves in the antebellum south, others thought it to be extremely exaggerated. Also the controversial use of the N-word, as named in literature and interviews, was a major part of the public discussion about ''Django Unchained'. Ultimately it is the viewer himself who has to decide if in his opinion Tarantino uses the right words and pictures to get even with the institution of slavery and the relationship between white farmers and black slaves.

More books from GRIN Verlag

Cover of the book Frauenbild des Nationalsozialismus by Maximilian Bauer
Cover of the book Empowerment oder Entlastung? by Maximilian Bauer
Cover of the book Soziale Ungleichheit in modernen Gesellschaften by Maximilian Bauer
Cover of the book Erarbeitung von Passtechniken im Fußball - Schulsport - mit diversen Übungen und Stationstraining by Maximilian Bauer
Cover of the book Die Antiheldin in der viktorianischen Literatur by Maximilian Bauer
Cover of the book Teaching Ethnic Minority Cultures in the EFL Classroom. A Proposition of a New Focus on Contemporary Coming-of-Age Novels by Maximilian Bauer
Cover of the book Die innen- und außenpolitische Erpressbarkeit des deutschen Volkes by Maximilian Bauer
Cover of the book Zahlbegriffsentwicklung und Anforderungen an den Zehnerübergang im Teilschrittverfahren by Maximilian Bauer
Cover of the book Turning the Table or Turning the Trick by Maximilian Bauer
Cover of the book Autorität in der Theorie und Praxis - persönliche Reflexionen der Tavistock-Konferenz 2007 by Maximilian Bauer
Cover of the book Aktive Arbeitsmarktpolitik in Deutschland und Schweden by Maximilian Bauer
Cover of the book Möglichkeiten des Gestaltenden Erschließens am Beispiel 'Willkommen und Abschied' von Johann Wolfgang Goethe by Maximilian Bauer
Cover of the book Grundlagen und Aufbau einer Projektarbeit (Unterweisung Diplom-Betriebswirt / -in BA, Fachrichtung Versicherung) by Maximilian Bauer
Cover of the book Welche Wirkung haben moderne Medien auf den Lernfortschritt von Kindern in Lerninstitutionen? by Maximilian Bauer
Cover of the book Maria Montessori - Polarisation der Aufmerksamkeit by Maximilian Bauer
We use our own "cookies" and third party cookies to improve services and to see statistical information. By using this website, you agree to our Privacy Policy